PRESS
SPLITSVILLE
Covino and Marvin continue to forge a distinct comic sensibility — and, what’s rarer these days, they know how to make the camera work for the humor.
New York Times
So many comedies are eager to please, desperate to barely satisfy a cross-demo audience—none of ‘Splitsville' feels overly focus-grouped or sanded down for mass consumption.
Roger Ebert
Splitsville is the sort of variation on an old chestnut that’s divided between being an old-fashioned rom-com that serves as a playground for its cast, and a wonky showcase for its behind–the-camera creators. Covino and Marvin end up winning either way. Rolling Stone
That it never ends up there [on the floor] is a testament to how precise a work the film actually is, creating an illusion of chaos that’s only possible with incredible control.
Vulture/New York Magazine
ON SWIFT HORSES
Two rising stars pair up for this sweeping, elegiac slice of ’50s Americana
Vanity Fair
Jacob Elordi and Daisy Edgar-Jones Shine in an Elegant Saga of Lost Connections and the Gamble of Living on Your Own Terms
IndieWire
A hot, gay period drama with two of Hollywood's most exciting recent breakouts? Count us in.
GQ Magazine
Ley Line Entertainment and FirstGen Content have set an all-star ensemble for its co-production of On Swift Horses
Deadline
Daisy Edgar-Jones, Jacob Elordi and Diego Calva to Star in Historical Drama ‘On Swift Horses’
TheWrap
BIRD
Andrea Arnold’s Bird Brings a Touch of Magic Realism to the Anxiety of Adolescence
Time
In ‘Bird’, Barry Keoghan navigates a tricky parent-child bond.
Vanity Fair
Andrea Arnold Switches Up Her Playbook With a Warmhearted Fable Starring Barry Keoghan and Franz Rogowski
Hollywood Reporter
Franz Rogowski and Barry Keoghan are only in one scene together in Andrea Arnold’s ‘Bird,” but you wouldn’t know it seeing them together at Cannes.
Indie Wire
RIFF RAFF
“Riff Raff” gets smarter as it goes on.
Los Angeles Times
With an outstanding, perfectly-chosen cast, this hilarious crime comedy hits all the right marks.
Deadline
A delightfully disorienting experience, Riff Raff is a clever dark comedy that starts with a standoff and pretty much doesn't let up for the next hour and a half.
Collider
Most families don’t have nearly as much bloodshed while ringing in the new year, but that doesn’t stop Montiel from introducing his wicked version of “Auld Lang Syne.”
TheWrap
STORY AVE
“Story Ave” is a portrait of an artist as a young man, a not-quite-coming-of-age tale, a narrative of escape but not abandonment.
Roger Ebert
In a quiet and compassionate supporting performance, Luis Guzmán proves a beacon for a young graffiti artist — and for this debut feature from Aristotle Torres.
Variety
Rather than following all the familiar conventions of, say, a hood film, Torres’s picture evokes a Bronx ethos that is as much indebted to the borough as it is irrevocably part of it.
Brooklyn Rail
AND MRS.
‘You laugh the hardest in grief’: And Mrs, the cathartic romcom about marrying your dead fiance
The Guardian
Billie Lourd, Colin Hanks, Aisling Bea Board Transatlantic Comedy Drama ‘And Mrs’
Variety
Reisinger, Lourd, Hanks, and Bea, share a connection that drew them to And Mrs: their own experiences of grief.
Hollywood Reporter
CATCH THE FAIR ONE
Boxer Kali Reis Delivers a Knockout Performance in Bruising Sex Trafficking Thriller
IndieWire
Collaborating with Native boxing champ Kali “KO” Reis on the script, director Josef Kubota Wladyka has made a riveting vigilante story that can hold its own alongside Paul Schrader’s most punishing payback fantasies.
Variety
“Catch the Fair One” is a story close to Reis’ heart. As Kaylee (a.k.a. KO), Reis exudes unmanaged grief and single-minded focus, a challenging mix.
Roger Ebert
