Press — FirstGen

The Testament of Ann Lee feature

The New York Times 02/08/2026

A Movie About America Broke My Heart

The Testament of Ann Lee — The New York Times

The Testament of Ann Lee review

Time 12/25/2025

The Testament of Ann Lee is like no other movie you've seen.

Amanda Seyfried in The Testament of Ann Lee.

The Testament of Ann Lee review

The New York Times 12/24/2025

A Woman Clothed With the Sun

The Testament of Ann Lee review

Indiewire 12/24/2025

The team behind "The Brutalist" return for another, possibly even better epic about someone coming to America and building a church.

The Testament of Ann Lee review

The Wrap 09/01/2025

Fastvold fuses form with function to meet an 18th-century religious leader on her own terms, delivering a thrillingly modern incantation of an antiquated tune.

The Testament of Ann Lee review

The Hollywood Reporter 09/01/2025

It’s as a full-blown song-and-dance affair -- about the least likely, biggest-swinging shape Lee’s story could taken -- that the film is most stunningly persuasive.

The Testament of Ann Lee review

Variety 09/01/2025

Amanda Seyfried Shakes, Battles and Extols in an Arresting Religious Biopic

Splitsville review

Roger Ebert 08/22/2025

So many comedies are eager to please, desperate to barely satisfy a cross-demo audience—none of ‘Splitsville' feels overly focus-grouped or sanded down for mass consumption.

Splitsville review

New York Times 08/21/2025

Covino and Marvin continue to forge a distinct comic sensibility — and, what’s rarer these days, they know how to make the camera work for the humor.

Splitsville review

Rolling Stone 08/21/2025

Splitsville is the sort of variation on an old chestnut that’s divided between being an old-fashioned rom-com that serves as a playground for its cast, and a wonky showcase for its behind–the-camera creators. Covino and Marvin end up winning either way.

Splitsville review

Vulture/New York Magazine 08/20/2025

That it never ends up there [on the floor] is a testament to how precise a work the film actually is, creating an illusion of chaos that’s only possible with incredible control.

831 Stories

Entertainment Weekly 05/06/2025

How 831 Stories is building a romance fandom community that goes beyond books

On Swift Horses review

IndieWire 04/24/2025

Jacob Elordi and Daisy Edgar-Jones Shine in an Elegant Saga of Lost Connections and the Gamble of Living on Your Own Terms

Riff Raff review

Los Angeles Times 03/01/2025

“Riff Raff” gets smarter as it goes on.

Riff Raff review

Collider 09/12/2024

A delightfully disorienting experience, Riff Raff is a clever dark comedy that starts with a standoff and pretty much doesn't let up for the next hour and a half.

Riff Raff review

Deadline 09/09/2024

With an outstanding, perfectly-chosen cast, this hilarious crime comedy hits all the right marks.

Riff Raff review

The Wrap 09/09/2024

Most families don’t have nearly as much bloodshed while ringing in the new year, but that doesn’t stop Montiel from introducing his wicked version of “Auld Lang Syne.”

On Swift Horses review

Vanity Fair 09/06/2024

Two rising stars pair up for this sweeping, elegiac slice of ’50s Americana

And Mrs. feature

Hollywood Reporter 08/16/2024

Reisinger, Lourd, Hanks, and Bea, share a connection that drew them to And Mrs: their own experiences of grief.

Bird interview

Indie Wire 05/24/2024

Franz Rogowski and Barry Keoghan are only in one scene together in Andrea Arnold’s ‘Bird,” but you wouldn’t know it seeing them together at Cannes.

Bird review

Time 05/17/2024

Andrea Arnold’s Bird Brings a Touch of Magic Realism to the Anxiety of Adolescence

Bird review

Hollywood Reporter 05/16/2024

Andrea Arnold Switches Up Her Playbook With a Warmhearted Fable Starring Barry Keoghan and Franz Rogowski

Bird review

Vanity Fair 05/16/2024

In ‘Bird’, Barry Keoghan navigates a tricky parent-child bond.

Story Ave review

Brooklyn Rail 10/01/2023

Rather than following all the familiar conventions of, say, a hood film, Torres’s picture evokes a Bronx ethos that is as much indebted to the borough as it is irrevocably part of it.

Story Ave review

Roger Ebert 09/29/2023

“Story Ave” is a portrait of an artist as a young man, a not-quite-coming-of-age tale, a narrative of escape but not abandonment.

Story Ave review

Variety 03/28/2023

In a quiet and compassionate supporting performance, Luis Guzmán proves a beacon for a young graffiti artist — and for this debut feature from Aristotle Torres.

On Swift Horses news

GQ Magazine 03/01/2023

A hot, gay period drama with two of Hollywood's most exciting recent breakouts? Count us in.

On Swift Horses news

Deadline 02/28/2023

Ley Line Entertainment and FirstGen Content have set an all-star ensemble for its co-production of On Swift Horses

On Swift Horses news

The Wrap 02/28/2023

Daisy Edgar-Jones, Jacob Elordi and Diego Calva to Star in Historical Drama ‘On Swift Horses’

Call Jane review

Time 10/27/2022

Elizabeth Banks Plays a Suburban Mom Who Finds Her Purpose in the Abortion Drama Call Jane

And Mrs. news

Variety 09/08/2022

Billie Lourd, Colin Hanks, Aisling Bea Board Transatlantic Comedy Drama ‘And Mrs’

Catch the Fair One review

Roger Ebert 02/11/2022

“Catch the Fair One” is a story close to Reis’ heart. As Kaylee (a.k.a. KO), Reis exudes unmanaged grief and single-minded focus, a challenging mix.

Catch the Fair One review

Variety 01/31/2022

Collaborating with Native boxing champ Kali “KO” Reis on the script, director Josef Kubota Wladyka has made a riveting vigilante story that can hold its own alongside Paul Schrader’s most punishing payback fantasies.

Call Jane interview

Deadline 01/26/2022

Elizabeth Banks & Sigourney Weaver Find “Agency” In Phyllis Nagy’s Drama About “Women Doing It For Themselves”

Catch the Fair One review

IndieWire 06/14/2021